Ophelia in Do You Like Love? (Shutter Hub / Photomonth)

I’m happy to say that this print from my Ophelia series is in the group exhibition Do You Like Love? from Shutter Hub, hosted by Salt and Pegram.

The exhibition challenges photographers to present an original response to the theme. The show will test the traditional clichés and show you something new.

The exhibition runs from 2nd October to 26 November

Address: 63-65 Princelet Street, Spitalfields , E1 5LP

Opening times: Monday-Thursday 9am-5.30pm, Friday 9am-4.30pm. Closed on Saturdays and Sundays

The private view is on 15th October, from 6-9pm – click here for the invite

Ophelia 4
Ophelia #4

This image is part of a series that explores the story of Shakespeare’s Ophelia, made in response to studying previous artistic interpretations of the text. Combining underwater digital photography with alternative printing methods, this series studies the destruction and turmoil that lies beneath the romanticism and serenity suggested in traditional representations of her fate, both in image and process.

After creating these underwater photographs I repeatedly printed and re-photographed them using lo-fi techniques to simultaneously intensify and degrade the images. Whilst the title image is a composite of two photographs, the remainder are all single full frame images. In the final stage I used out-of-date Polaroid film to make water-based emulsion lifts onto textured watercolour paper; the destructive yet delicate nature of the process continuing the themes of the subject matter.

Shutter Hub provides opportunities, support, and networking for creative photographers worldwide

Do You Like Love? is showing as part of the Photomonth East London Photography Festival.

this table is sad because no one is sitting at it – time based film for projection

“I find myself repeatedly passing through my life without actually engaging with it, going through the motions but my mind elsewhere. When I am lost in my inner thoughts those inhabiting the outer world around me disappear, and I too cease to exist. My awareness of this state creates a duality of experience through which I struggle to re-engage with the present.”

Created using every day colour films and high street developing labs, this projection series employs a twin lens photographic technique to record a parallax effect that forces a continual re-evaluation of the everyday transitory moment.

‘this table is sad because no one is sitting at it’ is intended for exhibition both as a large scale projection and an intimate book.

To see more from this series go to my website, or you can buy the book online at blurb

this table is sad… book for sale!

this table is sad because no one is sitting at it‘ is now available as a book, for sale via Blurb.

Available either in softcover, hardcover with dust jacket, all hard cover with image wrap, all printed with Proline Pearl photographic paper. Prices start at £24.73 (+VAT and delivery) for the softcover.

Here’s the front cover:



And here’s a couple of images from inside:

this table is sad because no one is sitting at it
Tulips – this table is sad because no one is sitting at it


night swans - this table is sad because no one is sitting at it
night swans – this table is sad because no one is sitting at it

Interpretations: New solo exhibition at the Free Space Gallery!

The Free Space Gallery, Kentish Town is currently hosting a solo exhibition of my photographic based work! Running until 9th October, Interpretations features prints from 4 bodies of work:

this table is sad because no one is sitting at it

Chasing Shadows


Cornish Roads (hedges), in Flow

Each series uses a different photographic/printmaking technique to study the passing of time from different emotional viewpoints.

this table is sad because no one is sitting at it
this table is sad because no one is sitting at it

As well as showing prints from each series, I am also showing a book of images for ‘this table is sad because no one is sitting at it’.  This is the first time that I am exhibiting this work so I’m particularly excited.

Chasing Shadows - fence
Chasing Shadows – fence

The exhibition is open Monday-Friday, 9am-6.30pm until 9th October.

On Friday 4th September there will also be an open evening, from 6.30-9pm where I will also be showing projections of ‘Chasing Shadows’ and ‘this table is sad because no one is sitting at it’. Copies of the book will also shortly be available for sale – watch this space for more info.

Ophelia #1 - Polaroid emulsion lift
Ophelia #1 – Polaroid emulsion lift


First floor 2 Bartholomew Road London NW5 2BX


Underground: Kentish Town (Northern Line)

Overground: Camden Town Road (North London Line)

Buses: 46, 134, C2

Cornish Roads (hedges) - in Flow, B3306
Cornish Roads (hedges) – in Flow, B3306

About the Free Space Gallery

Established in 2010 the Free Space Gallery works with local and national artists within the unique settings of the Kentish Town Health Centre and the Queens Crescent Practice, two NHS facilities in north London. The Free Space Gallery delivers a programme of free exhibitions, free creative workshops and events, an art therapy course and an artist in residence programme. All of their work is generously supported by the Kentish Town Improvement Fund.

Thank you to the Free Space Gallery for supporting my work!