alley behind The Auld Shillelagh, N16
with Inga Tillere
Love and Death (part two)
Original photograph from this table is sad because no one is sitting at it (C-CNV00001)
Love and Death (part two)
35mm
Heralds (faded glory)
seagulls over the beach at Weston Super Mare, August 2010
Heralds (faded glory) 004n4
Heralds (faded glory) 022n22
Heralds (faded glory) 035n35
Love and Death (part one)
Alley behind Gibson Gardens, N16.
with Inga Tillere
Love and Death (part one)
Original photograph from this table is sad because no one is sitting at it (M-CNV00019)
Chasing Shadows in a Puritan Age
Friday is Art Day on FIPA!
Freedom in a Puritan Age is an online journal that publishes articles on the subject of liberty in contemporary society. They’re kick-starting their weekly Arts section (which will include T S Eliot prize winning poet, George Szirtes) with, err, me! Brilliant!
take a look here
Chasing Shadows – house
Chasing Shadows at Candid Arts Trust
I’m exhibiting Chasing Shadows at the Candid Arts Trust Mixed Media Show from 15th-20th June 2010. From 12-6pm daily at 3 Torrens St, London, EC1V 1NQ
Here’s a flyer for the show:
And, amongst loads of other stuff including sculpture and illustration, here’s what you can go see in the flesh:
Chasing Shadows - steps
Chasing Shadows - window
Chasing Shadows - leaves
Chasing Shadows - fence
Chasing Shadows - shutters
All works for sale! for more info please feel free to get in touch
Chasing Shadows exhibition!
7 images from Chasing Shadows are on display at the Acoustic Cafe, Newington Green, London N16.
All works are for sale – contact me for more information: www.njmaskrey.com
Chasing Shadows - shutters
Chasing Shadows - fence
Chasing Shadows - cables
Chasing Shadows - leaves
Chasing Shadows - window
Chasing Shadows - steps
Chasing Shadows - wire
Chasing Shadows is a night journey – a sleepwalk through a silent world bereft of people. As the quality of evening light transforms the everyday into a dreamlike state, familiar urban landscapes disappear underneath resilient vegetation.
Long exposure night photographs are hand printed using a lith technique (an alternative wet printing process) to create a degraded aesthetic closer to illustration than photography. The very nature of the process ensures that each image is visually unique, and in this instance the choice of a now discontinued fibre based paper enforces a single edition body of work.
njmaskrey 