vegetation

Flower Flower Water Light: Time to Think

I’m currently showing 2 images from Flower Flower Water Light as part of Time to Think, curated by Shutter Hub.

Time to Think is a photographic exhibition reflecting on the work of workmen in the 21st Century and celebrating female-identifying photographers.

145 female photographers / 435 images / 15 different countries

All showing at @festivalpilours St Gilles Croix de Vie, France, from 1st July to 31st August.

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A massive thank you also to Shutter Hub for using my image to promote the call for entry and exhibition – it’s a real privilege!

 

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Thought Atlas

Last month I took part in a really exciting, eclectic exhibition of photography, video and installation.  Curated by Heloise Bergman, Thought Atlas ran from 11th-16th June at Espacio Gallery, London.

I showed images from Flower Flower Water Light and Surrender the Land, as well as a projection of Cornish roads (hedges), in Flow.

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Encore: Shutter Hub OPEN in Amsterdam!

The 2018 Shutter Hub OPEN in London was such a success that the show has moved to Amsterdam for an encore lasting over a month! I’ve got two images in the exhibition, which is printed entirely on newsprint and looks stunning.

NicolaJayneMaskrey_Untitled(Cyanotype)

Untitled (cyanotype)

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Glasshouse

The show opened on 7th December 2018 and will run until 21st January 2019.

It’s open daily from 10am-10pm at:

5&33 Gallery

Prins Hendrikkade 33

1012 TM AMSTERDAM

Find out more on the Shutter Hub website.

 

Of the land & us Takeover

I’ve taken over the Instagram feed for of the land & us from 12th to 17th November 2018.

Each day I’ll be sharing 2-3 images or videos along with some thoughts on my work.

Here’s a sample of what I’ve shared so far:

Come and find me over on Instagram and say hello 🙂

Shutter Hub Open!

Shutter Hub OPEN 2018
4th – 9th October
Old Truman Brewery, 11 Dray Walk, London E1 6QR

Private View: Thursday 5th October, 6-9pm

In collaboration with The Newspaper Club, Shutter Hub brings together international photographers in a selected exhibition of over 200 images. I’m very happy to have two images in the exhibition, and I’m excited to see how they’ll translate to newsprint.

NicolaJayneMaskrey_Untitled(Cyanotype)

Untitled (cyanotype)

There will be an award for the ‘Best in Show’, where viewers will get to vote for their favourite photograph from the exhibition, and alongside the exhibition Shutter Hub will be hosting portfolio reviews in the gallery space.

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Glasshouse

 

Shutter Hub is a photography organisation providing opportunities, support and networking for creative photographers worldwide. They provide the chance for photographers to professionally promote their work, access high quality opportunities and make new connections within the photographic community, through their website, in-person meet ups and exhibitions.

The Newspaper Club helps you to make and print your own newspapers, giving you the tools to turn whatever you want into newsprint, quickly and easily.

The exhibition will be part of London Photomonth. Photomonth celebrates photography in galleries and venues across East London. The Festival aims to demonstrate the diversity of contemporary photography and reach the widest possible audience.

London Independent Photography Annual Exhibition

The London Independent Photography annual exhibition opens on Tuesday 2nd October!

The exhibition runs until Sunday 7th October at Espacio Gallery, 159 Bethnal Green Road, London E2 7DG; open Tuesday to Saturday from 1-7pm, and Sunday from 1-5pm.

The private view is on Thursday 5th October from 6-9pm.

I have two images from my series Flower Flower Water Light on show in the exhibition.

Flower Flower Water Light

Flower Flower Water Light

Throughout the exhibition there will also be a series of free evening talks, from Dafna Talmor, Peter Ainsworth, Thom Bridge and Alina Kisina.

The exhibition is part of Photomonth East London International Photography Festival so there are lots of great exhibitions to see in the area.

Because We Can! Shutter Hub at Festival Pil’Ours

The Shutter Hub exhibition Because We Can opened on 8th July at Festival Pil’ours, Saint Gilles Croix de Vie, France – it runs until 31st August 2018.

Images from my projects Chasing Shadows and Flower Flower Water Light both feature in this group exhibition by 70 artists from all over the world, curated by Karen Harvey – Creative Director at Shutter Hub and designed by Tim Jukes.

You can read more about Shutter Hub’s collaboration with Festival Pil’Ours here.

Chasing Shadows

Festival Pil’Ours is a unique annual international festival showcasing the work of female-identifying photographers, taking place outdoors for 2 months – making the photographs visible and accessible to everyone who visits the town. Works can be found by chance, or by using a detailed map available throughout the town.

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Shutter Hub is a photography organisation providing opportunities, support and networking for creative photographers worldwide. They help photographers to professionally promote their work, access high quality opportunities and make new connections within the photographic community.

I’ll be visiting Festival Pil’Ours in it’s last week of exhibition – I can’t wait to see all the amazing photographs there!

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Image courtesy of Shutter Hub.

 

Flower Flower Water Light in the Life Framer Collection

My series Flower Flower Water Light has been featured in the Life Framer Collection!

Curated by the Life Framer editors, the collection is an online art space dedicated to talented photographers from the Life Framer community, celebrating diverse photographic stories.

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Flower Flower Water Light is a travel diary of chaotic beauty and colourful abstraction, documenting a journey through the landscapes of the UK, France, and Spain. 

I began this series in a direct attempt to escape from what felt like a particularly angry and fearful time in the UK in the dual contexts of Brexit and austerity. I’d really had enough and just wanted to visually and emotionally lose myself in my connection to the land. Coincidentally though, I reached the Catalonian landscape at the height of its own independence referendum, reminiscent of what I was trying to leave behind.  

Avoiding deliberate regional classification I allowed the images to form chronologically throughout my journey, thereby unifying the three countries into one emotional state.  I used triple exposures on 35mm slide film to randomly blend and overlay flowers, plants, and the land with the ripples of sunlight on the surface of the sea, recording my experiences in a series of ethereal images that emulate memory and movement through time and place.  

I was liberated by this loss of control in giving myself over to the process and its chance elements. The individual components of the image spill out of the graphic misalignment of the frames, extending beyond the confines of the lens. The light on the water simoutlaneously  distills and obscures my memories. And water, in its component elements, its different states and as a whole, universally connects us to everything.

Cornish roads (hedges), in Flow – projection; in Traces

I’m really excited to finally have the opportunity to show Cornish roads (hedges), in Flow as a projection!

I’m taking part in the group exhibition ‘Traces’ at the Free Space Gallery, Kentish Town Health Centre, London. Featuring 17 artists the exhibition runs from 22nd June – 17th July 2017, open Monday-Friday 9am-6.30pm (5pm on Fridays).

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Cornish roads (hedges), in Flow – B3283-1

Traces

Our lives are the sum of millions of moments colliding to make up the past, present and the future. But what traces do these moments leave behind and how do they impact the people we are?

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Exhibiting Artists

Alessandra Rinaudo, Andy Weiner, Antonia Attwood, Cina Aissa,
Christopher Kelly, Daniel Regan, Julia Schuster, Marcus Boyle, Maria Trimikliniotis, Naomi Woddis, Nicola Jayne Maskrey, Paloma Tendero, Rebekah Dean, Silvia Gentili, Sisi Burn and Tessa Cooney.

With a special choreographed performance on the opening night by Paola Napolitano.

The artists are all members of a monthly peer group artists exploring health and wellbeing in their practice, often covering complex and emotional experiences. Find out more about the group here.

About Cornish roads (hedges), in Flow

Set in the southern tip of Cornwall, this series explores colour, time, movement and the relationship between the artist and the land. This timed projection emphasises the transient nature of the moment in which the photographs were made, and restores a sense of the movement inherent in the subject and process.

To see more from this series take a look at my website.

About the Free Space Project

The Free Space Project is an arts and well-being charity providing arts activities, therapies, exhibitions and residencies across two NHS sites in north London. Established in 2010, our aim is to relieve mental and physical suffering through the use of the arts.

Obsolete and Discontinued

I’ve recently been darkroom printing again in my bathroom, the first time in about 8 years.

London based photographer, printer, and alternative processes expert Mike Crawford put out a call to photographic artists interested in alternative processes to take part in a group project: Obsolete and Discontinued.

Mike had been given a lot of out of date paper by a customer – it had belonged to his late uncle – some of the papers were 20-30 years old.  Mike distributed the papers to about 50 photographic artists all over the world, including members of the London Alternative Photography Collective.

For this project I took an image that I shot on my Iphone5s – Dennis’s Greenhouse.

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Then following excellent advice from Mike I made a black and white negative onto inkjet acetate, from which I made contact prints onto out of date Agfa Brovira paper, and developed using out of date lith developer, and out of date stop and fix.  Here’s what I ended up with:

 

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Obsolete and Discontinued is premiered at the Revela T analogue photography festival at Vilassar de Dalt near Barcelona, from 20th May to 5th June.

 

Update – added 19th June 2016:

Here is a great video of the festival from photographer Borut Peterlin:

https://borutpeterlin.wordpress.com/2016/06/03/from-revela-t-the-festival-of-analogue-photography/

 

Here’s also some photographs from the Obsolete and Discontinued exhibition:

Left: Bret Sampson self portrait. Right; David Yates pinhole portrait by Andy Atkinson and Mike Crawford.

 

Installation

Installation photograph by Daniel Berrangé‎, my image is the second print from the right.