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Interpretations extended – 1 week left to see it!

My solo exhibition at the Free Space Gallery, Kentish Town has been extended until the end of October, so there is one week left to see the work all together.

Address:  First floor, 2 Bartholomew Road, London, NW5 2BX

Opening times: The exhibition is open Monday-Friday, 9am-6.30pm

Studying the passing of time from different emotional viewpoints, Interpretations features prints from 4 bodies of work:

Here are some images from each series:

Ophelia #2 - polaroid emulsion lift

Ophelia #2 – polaroid emulsion lift

Cornish Roads (hedges), in Flow: A30

Cornish Roads (hedges), in Flow: A30

As well as showing prints from each series, I am also showing a book of images for ‘this table is sad because no one is sitting at it’. You can also see the book online at blurb.

this table is sad because no one is sitting at it

this table is sad because no one is sitting at it (Cambridge, morning)

Established in 2010 the Free Space Gallery works with local and national artists within the unique settings of the Kentish Town Health Centre and the Queens Crescent Practice, two NHS facilities in north London. The Free Space Gallery delivers a programme of free exhibitions, free creative workshops and events, an art therapy course and an artist in residence programme. All of their work is generously supported by the Kentish Town Improvement Fund.

Chasing Shadows - steps

Chasing Shadows – steps

this table is sad… book for sale!

‘this table is sad because no one is sitting at it‘ is now available as a book, for sale via Blurb.

Available either in softcover, hardcover with dust jacket, all hard cover with image wrap, all printed with Proline Pearl photographic paper. Prices start at £24.73 (+VAT and delivery) for the softcover.

Here’s the front cover:



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And here’s a couple of images from inside:

this table is sad because no one is sitting at it

Tulips – this table is sad because no one is sitting at it

 

night swans - this table is sad because no one is sitting at it

night swans – this table is sad because no one is sitting at it

London Project / Traces in fLIP 31 – out now!

Issue 31 of fLIP magazine – for London Independent Photography – is out now!

This edition  has the overarching theme ‘Neighbouhood’ and includes an exploration of the different geographical areas and communities in London.

This photograph from my series ‘London Project /Traces is in the section ‘HOW WE SEE: NEIGHBOURHOOD’

Untitled - London Project / Traces

Untitled – London Project / Traces

Offering an independent voice for photographic practice in London, and costing a very reasonable £4.00, fLIP is published 3 times per year to engage readers in a wider dialogue concerning diverse approaches to photography.

fLIP issue 31 is avaliable from the following stockists:

Online:

London:

  • Photographers Gallery Bookshop, 16-18 Ramillies Street, London W1F 7LW
  • National Portrait Gallery Bookshop, St Martin’s Place, London WC2H 0HE
  • Whitechapel Gallery Bookshop, 77-82 Whitechapel High Street, London E1 7QX
  • Serpentine Gallery Bookshop, Queensborough Terrace, London W2 3XA
  • Eastside Books, 166 Brick Lane, London E1 6RU

Cardiff: 

  • Third Floor Gallery, 102 Bute Street, Cardiff CF10 5AD

Chasing Shadows in Humans vs Nature

3 images from Chasing Shadows are in the latest online group exhibition from F-STOP Magazine: Humans vs Nature.

You can see the whole exhibition here: Humans vs Nature

Or click here to go straight to scroll through my images.

Chasing Shadows - house

Chasing Shadows – house

To see more images or to find out more about this project please take a look at my website: www.njmaskrey.com

Founded in 2003 and published online, bi-monthly, F-STOP MAGAZINE is an online photography magazine featuring contemporary photography from established and emerging photographers from around the world.

Motorway Bridge M3, in LENSCRATCH 2015 Cell Phone exhibition

This photograph of the Fleet M3 service station bridge is in the latest online group exhibition by LENSCRATCH: 2015 Cell Phone exhibtion.

Motorway Service Station Bridge, M3, Fleet, UK

Motorway Service Station Bridge, M3, Fleet, UK

There was such beautiful light that day. I love the juxtaposition of the trees and layers of reflections with the structure of the bridge and its fading corrugated roof.

There’s a really eclectic range of photographs in the exhibition, taken with mobile phone cameras all over the world. It’s well worth a look.

Considered one of the ten photography blogs you should read, LENSCRATCH is a daily journal that explores contemporary photography. Since its inception in 2007, LENSCRATCH has featured the work of thousands of photographers, has provided a platform to launch numerous portfolios, and has been a media partner to numerous photography festivals.

Cornish Roads (hedges) in LensCulture Earth Awards

I’m really happy to say that LensCulture have shared an image from my series ‘Cornish Roads (hedges), in Flow’ in the competition gallery for their Earth Awards 2015!

Cornish Roads (hedges), in Flow

Cornish Roads (hedges), in Flow – B3306

Shot entirely on an iphone5s ‘Cornish Roads (hedges), in Flow’ is an abstract study of time, colour, movement, and the flow-state, captured in the vibrant hedges that line some of Cornwall’s twisting ancient roads. You can see the series in full on my LensCulture profile, and also my website.

Cornish Roads (hedges), in Flow - LensCulture Eart Awards Competition Gallery

Cornish Roads (hedges), in Flow – LensCulture Earth Awards Competition Gallery

The other work you can see here is by Christina and Eusebio Saenz De Santamaria, Christian Vizl, Joshua Sainana, and Heiko Hellwig.  To see more entries featured in the online gallery click here.

The inaugural LensCulture Earth Awards is their first call for photography focused on the planet. LensCulture are awarding $25,000 in cash grants as well as video projections at international photo festivals. From artful and conceptual examinations of our diverse relationships to Earth, to journalistic exposés of environmental concerns or the stories of the good work being done to address them, photography is a force that defines how we see—and live in—the world.

LensCulture is one of the most authoritative resources for contemporary photography. They are committed to discovering and promoting the best of the global photography community. They look for exciting work from every continent, and from diverse points of view: documentary, fine art, nature, photojournalism, activism, street photography, sports, fashion, poetic, personal, abstract and human.

flower meets fence meets Spring/New Beginnings

Two of my photographs are in the online group exhibition of the latest F-Stop Magazine – Spring/New Beginnings. Check out the whole exhibition here.

Here’s one of my photographs, taken on Painswick Beacon:

flower meets fence (Painswick Beacon)

flower meets fence (Painswick Beacon)

F-STOP MAGAZINE is an online photography magazine featuring contemporary photography from established and emerging photographers from around the world. Founded in 2003 and published online, bi-monthly, each issue has a theme or an idea that the unites the photographs to create a dynamic dialogue among the artists.

 

 

this table is sad… at The Heart Grows Fonder / FORMAT 2015

Miniclick are holding another of their great The Heart Grows Fonder interactive book-making exhibitions in association with the Artist’s Book Cooperative (ABC) at FORMAT 2015.

This image from my series ‘this table is sad because no one is sitting at it’ will be included

this table is sad because no one is sitting at it (my father reflected in his garden)

this table is sad because no one is sitting at it (my father reflected in his garden)

Following FORMAT 2015’s theme of Evidence, this years workshop will take the form of a crime zine. Photographs will be shown in a live evolving exhibition (THE WALL), and used in a ‘zine-making workshop (CRIME ‘ZINE) during the opening weekend of FORMAT 2015.

Here are the workshop details:

Where: St. Werburgh’s Church, Friar Gate, Derby DE1 1UZ

When: Saturday 14th March, 10.30am-5pm

Cost: FREE, drop in

FORMAT International Photography Festival presents a selection of the best of international photography in a diverse programme of exhibitions and events. FORMAT is curated by Louise Clements, Artistic Director of QUAD & FORMAT, hosted & organised by QUAD and the University of Derby.

Brighton based photography organisation Miniclick curates free talks and discussions, hosts participatory events, workshops and exhibitions and publishes affordable photography books and ‘zines with the remit of being open and accessible to all, experimenting with different ways of looking at images and focusing on stories and ideas instead of kit and cameras.

Chasing Shadows in fLIP 29

Three images from my series Chasing Shadows have been selected for inclusion in the latest edition of fLIP magazine for London Independent Photography.

Offering a truly independent voice for photographic practice in London, fLIP is published 3 times per year to showcase member’s work and engage readers in a wider dialogue concerning diverse approaches to photography.

Here’s one of the images they selected:

Chasing Shadows - fence

Chasing Shadows – fence

Chasing Shadows is a night journey, a peaceful sleepwalk through a silent world bereft of people.  As the evening light transforms the everyday into a dreamlike state, familiar urban landscapes disappear underneath resilient vegetation.

fLIP issue 29 (winter 2014/15) is available from the following stockists:

Online:  You can order a copy for posting to you directly from London Independent Photography (paypal accepted)

Cardiff:  Third Floor Gallery, 102 Bute Street, Cardiff CF10 5AD

London:

Photographers Gallery Bookshop, 16-18 Ramillies Street, London W1F 7LW

National Portrait Gallery Bookshop, St Martin’s Place, London WC2H 0HE

Whitechapel Gallery Bookshop, 77-82 Whitechapel High Street, London E1 7QX

Serpentine Gallery Bookshop, Queensborough Terrace, London W2 3XA

Artwords Bookshops, 65a Rivington Street, London EC2A 3QQ, and 20-22 Broadway Market, London E8 4QJ

Eastside Books, 166 Brick Lane, London E1 6RU

Photofusion, 17a Electric Lane, London SW9 8LA

this table is sad at The Heart Grows Fonder

My photograph ‘my father reflected in his garden’ is in Miniclick’s experimental participatory project – ‘The Heart Grows Fonder’.

this table is sad because no one is sitting at it (my father reflected in his garden)

this table is sad because no one is sitting at it (my father reflected in his garden)

Part of Miniclick’s ‘Another Way of Looking” programme, created in association with Brighton Photo Fringe and Brighton Photo Biennial 2014, this free event gives participants an opportunity to curate their own photo-book from a range of artists work – in photographs, prose, poetry, drawing, collage, etc, etc.

When: 11am-5pm, Saturday 25th October
Where: at The Miniclick Business Concern at 68MS, Middle Street, Brighton
 

Below is one of Miniclick’s documentary photographs of all the work ready waiting to be part of someone’s book.  And you can just about make out my photo in the middle of the shot (hanging sideways, behind the giant ear!)

As a photographer I think there’s something quite exciting about giving up a photograph to the unknown, for someone else can use it to tell their own story.

The Heart Grows Fonder - in action

The Heart Grows Fonder – in action (event documentation by Miniclick)

Here’s a link to the online gallery for the project.

My photograph is from ‘this table is sad because no one is sitting at it’, which employs a twin lens technique to consider the subjective experience of the everyday transitory moment. Click here to see more from this series on my LensCulture profile.