Evergreen in LIP Annual Exhibition – until 1st November

My photograph, Evergreen, is part of the 27th London Independent Photography Annual Exhibition.  The exhibition is open daily until the 1st November at:

EMBASSY TEA GALLERY
195-205 Union Street, London SE1 0LN

Opening times:
Monday – Sunday, 10am – 7pm
Last day Sunday, 1 November closing at 4pm

Evergreen

Evergreen

The exhibition features 119 images from 71 photographers, selected by Laura Pannack (multi award-winning London based photographer, focusing on social documentary and portraiture), Mike Poloway (editorial and corporate photographer and educator based in Manchester) and Greg Lucas (senior lecturer in photography, De Montfort University).

London Independent Photography is a community organisation for amateur and professional photographers with more than 500 members.  Activities are designed to bring together photographers with different interests and levels of expertise who wish to develop their personal approach to photography, improve their skills and gain recognition for their work.

The Embassy Tea Gallery is owned by Artists Studio Company Limited (ASC), a major registered charity that exists to support visual artists, promote art and educate the public in the arts.

Interpretations extended – 1 week left to see it!

My solo exhibition at the Free Space Gallery, Kentish Town has been extended until the end of October, so there is one week left to see the work all together.

Address:  First floor, 2 Bartholomew Road, London, NW5 2BX

Opening times: The exhibition is open Monday-Friday, 9am-6.30pm

Studying the passing of time from different emotional viewpoints, Interpretations features prints from 4 bodies of work:

Here are some images from each series:

Ophelia #2 - polaroid emulsion lift

Ophelia #2 – polaroid emulsion lift

Cornish Roads (hedges), in Flow: A30

Cornish Roads (hedges), in Flow: A30

As well as showing prints from each series, I am also showing a book of images for ‘this table is sad because no one is sitting at it’. You can also see the book online at blurb.

this table is sad because no one is sitting at it

this table is sad because no one is sitting at it (Cambridge, morning)

Established in 2010 the Free Space Gallery works with local and national artists within the unique settings of the Kentish Town Health Centre and the Queens Crescent Practice, two NHS facilities in north London. The Free Space Gallery delivers a programme of free exhibitions, free creative workshops and events, an art therapy course and an artist in residence programme. All of their work is generously supported by the Kentish Town Improvement Fund.

Chasing Shadows - steps

Chasing Shadows – steps

Ophelia in Do You Like Love? (Shutter Hub / Photomonth)

I’m happy to say that this print from my Ophelia series is in the group exhibition Do You Like Love? from Shutter Hub, hosted by Salt and Pegram.

The exhibition challenges photographers to present an original response to the theme. The show will test the traditional clichés and show you something new.

The exhibition runs from 2nd October to 26 November

Address: 63-65 Princelet Street, Spitalfields , E1 5LP

Opening times: Monday-Thursday 9am-5.30pm, Friday 9am-4.30pm. Closed on Saturdays and Sundays

The private view is on 15th October, from 6-9pm – click here for the invite

Ophelia 4

Ophelia #4

This image is part of a series that explores the story of Shakespeare’s Ophelia, made in response to studying previous artistic interpretations of the text. Combining underwater digital photography with alternative printing methods, this series studies the destruction and turmoil that lies beneath the romanticism and serenity suggested in traditional representations of her fate, both in image and process.

After creating these underwater photographs I repeatedly printed and re-photographed them using lo-fi techniques to simultaneously intensify and degrade the images. Whilst the title image is a composite of two photographs, the remainder are all single full frame images. In the final stage I used out-of-date Polaroid film to make water-based emulsion lifts onto textured watercolour paper; the destructive yet delicate nature of the process continuing the themes of the subject matter.

Shutter Hub provides opportunities, support, and networking for creative photographers worldwide

Do You Like Love? is showing as part of the Photomonth East London Photography Festival.

this table is sad because no one is sitting at it – time based film for projection

“I find myself repeatedly passing through my life without actually engaging with it, going through the motions but my mind elsewhere. When I am lost in my inner thoughts those inhabiting the outer world around me disappear, and I too cease to exist. My awareness of this state creates a duality of experience through which I struggle to re-engage with the present.”

Created using every day colour films and high street developing labs, this projection series employs a twin lens photographic technique to record a parallax effect that forces a continual re-evaluation of the everyday transitory moment.

‘this table is sad because no one is sitting at it’ is intended for exhibition both as a large scale projection and an intimate book.

To see more from this series go to my website, or you can buy the book online at blurb

this table is sad… book for sale!

this table is sad because no one is sitting at it‘ is now available as a book, for sale via Blurb.

Available either in softcover, hardcover with dust jacket, all hard cover with image wrap, all printed with Proline Pearl photographic paper. Prices start at £24.73 (+VAT and delivery) for the softcover.

Here’s the front cover:

Interpretations: New solo exhibition at the Free Space Gallery!

The Free Space Gallery, Kentish Town is currently hosting a solo exhibition of my photographic based work! Running until 9th October, Interpretations features prints from 4 bodies of work:

this table is sad because no one is sitting at it

Chasing Shadows

Ophelia

Cornish Roads (hedges), in Flow

Each series uses a different photographic/printmaking technique to study the passing of time from different emotional viewpoints.

this table is sad because no one is sitting at it

this table is sad because no one is sitting at it

As well as showing prints from each series, I am also showing a book of images for ‘this table is sad because no one is sitting at it’.  This is the first time that I am exhibiting this work so I’m particularly excited.

Chasing Shadows - fence

Chasing Shadows – fence

The exhibition is open Monday-Friday, 9am-6.30pm until 9th October.

On Friday 4th September there will also be an open evening, from 6.30-9pm where I will also be showing projections of ‘Chasing Shadows’ and ‘this table is sad because no one is sitting at it’. Copies of the book will also shortly be available for sale – watch this space for more info.

Ophelia #1 - Polaroid emulsion lift

Ophelia #1 – Polaroid emulsion lift

Address:

First floor 2 Bartholomew Road London NW5 2BX

Directions:

Underground: Kentish Town (Northern Line)

Overground: Camden Town Road (North London Line)

Buses: 46, 134, C2

Cornish Roads (hedges) - in Flow, B3306

Cornish Roads (hedges) – in Flow, B3306

About the Free Space Gallery

Established in 2010 the Free Space Gallery works with local and national artists within the unique settings of the Kentish Town Health Centre and the Queens Crescent Practice, two NHS facilities in north London. The Free Space Gallery delivers a programme of free exhibitions, free creative workshops and events, an art therapy course and an artist in residence programme. All of their work is generously supported by the Kentish Town Improvement Fund.

Thank you to the Free Space Gallery for supporting my work!

London Project / Traces in fLIP 31 – out now!

Issue 31 of fLIP magazine – for London Independent Photography – is out now!

This edition  has the overarching theme ‘Neighbouhood’ and includes an exploration of the different geographical areas and communities in London.

This photograph from my series ‘London Project /Traces is in the section ‘HOW WE SEE: NEIGHBOURHOOD’

Untitled - London Project / Traces

Untitled – London Project / Traces

Offering an independent voice for photographic practice in London, and costing a very reasonable £4.00, fLIP is published 3 times per year to engage readers in a wider dialogue concerning diverse approaches to photography.

fLIP issue 31 is avaliable from the following stockists:

Online:

London:

  • Photographers Gallery Bookshop, 16-18 Ramillies Street, London W1F 7LW
  • National Portrait Gallery Bookshop, St Martin’s Place, London WC2H 0HE
  • Whitechapel Gallery Bookshop, 77-82 Whitechapel High Street, London E1 7QX
  • Serpentine Gallery Bookshop, Queensborough Terrace, London W2 3XA
  • Eastside Books, 166 Brick Lane, London E1 6RU

Cardiff: 

  • Third Floor Gallery, 102 Bute Street, Cardiff CF10 5AD

2015 iPhone Photography Awards – Honourable Mention

One of my photographs from my Roadside Planting sketch series has been awarded an Honourable Mention in the Nature Category of the 2015 iPhone Photography Awards!

To see all of the winning entries in the Nature Category go to www.ippawards.com/2015-winners-nature – Congratulations to all the other winners!

My photograph was taken during a winter family walk in Cam, Gloucestershire.  Below is a shot of my photo on the IPPAWARDS page:

Honourable Mention for #roadsideplanting - IPPAwards 2015

Honourable Mention for #roadsideplanting – IPPAwards 2015

The iPhone Photography Awards (IPPAWARDS) is the first and longest running iPhone photography competition. Founded in 2007, IPPAWARDS has been celebrating the creativity of iPhone photographers since the iPhone first began to inspire, excite and engage users worldwide.

Every year since then, IPPAWARDS has selected the very best shots among thousands of images submitted by iPhone photographers from 120 countries around the world. Winners are selected by esteemed jury members in a multi-step process.

Finalist in 7th Julia Margaret Cameron Awards!

I’m quite astonished and really happy to say that my photographs have achieved Finalist in 4 categories of the 7th Julia Margaret Cameron Awards for Women Photographers!

The selected photographs are each from 4 different projects (click on the links to find out about each series):

London Project/Traces (work in progress)

Ophelia

Adventures in a Suburban Garden

Cornish Roads (hedges), in Flow

Ophelia 4

Ophelia 4

 

Part of the Worldwide Photography Gala Awards, the Julia Margaret Cameron Award is addressed to professional and non professional women photographers worldwide. With 17 categories, Photographers are invited to submit work in all mediums, styles, and schools of thought.

This year 1203 photographers from 51 countries submitted 6804 images. Congratulations to all the other winning entries!

 

I was Finalist in the following categories; click on the links to see the whole selection:

Winners gallery – People, Culture and Daily Life

7th Julia Margaret Cameron Awards - People Culture and Daily Life

No48 nightbus, London (from London Project/Traces) – Finalist – People Culture and Daily Life

 

Winners gallery – Alternative Processes

7th Julia Margaret Cameron Awards - Finalist - Alternative Processes

Ophelia 4 (from Ophelia) – Finalist – Alternative Processes

 

Winners gallery – Digital Manipulation

7th Julia Margaret Cameron Awards - Finalist - Digital Manipulation

Untitled (from Adventures in a Suburban Garden) – Finalist – Digital Manipulation

 

Winners gallery – Still Life and Abstractions

7th Julia Margaret Cameron Awards - Finalist - Still Life and Abstractions

Cornish Roads (hedges), in Flow (B3306-1) – Finalist – Still Life and Abstractions

 

 

Honourable Mention for Chasing Shadows

My proposal to show Chasing Shadows (projection) has been awarded an Honourable Mention in PH21 Gallery’s international competition for a solo exhibition!

Congratulations to Motonori Shimizu, who’s winning exhibition ‘Individual‘ runs from June 21st – July 8th (Wednesday–Saturday: 3–7 p.m) at PH21 Gallery, H-1092 Budapest, Ráday u. 55.

Here’s some more information about the three Honourable Mentions and the Associate’s Choice: http://www.ph21gallery.com/#!solo-honourable/c1rkh

Chasing Shadows - fence

Chasing Shadows – fence

PH21 Gallery is a contemporary exhibition space established in 2012 in Budapest, Hungary. The mission of the gallery is to provide group and solo exhibition opportunities and international exposure for contemporary photographers around the world.